And in a way, the symbolism for that could be a Christian who walked away from their faith.It's funny, but sad too. She got too old for fairy tales and dreams and chose to forget, so she could be accepted into society.
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And in a way, the symbolism for that could be a Christian who walked away from their faith.It's funny, but sad too. She got too old for fairy tales and dreams and chose to forget, so she could be accepted into society.
True, that too!And in a way, the symbolism for that could be a Christian who walked away from their faith.
So do I! Do you know where it is in Prince Caspian? I've been looking for it.I really need to read all the books again. I always loved trying to figure out what all the symbolism in them mean.
Maybe it is something as simple as the rising of a good ruler in a wicked world? It's hard to say. I tried to Google it once, but the answers were ridiculous.I have never been able to find the symbolism in there. Maybe if I read it again I could find it.
Yeah, I was mad that they made Lucy chubby in Prince Caspian. And she was obviously a completely different actor too.I don’t know. The movie version of that was not to my liking at all. The Lion, The Witch and the Wardrobe they did a decent job on though.
Oh, I'd forgotten about that part!And with the whole Susan/Caspian thing.
i heard its about god doing god stuff, so has something to do with a bibleI really need to read all the books again. I always loved trying to figure out what all the symbolism in them mean.
It's funny, but sad too. She got too old for fairy tales and dreams and chose to forget, so she could be accepted into society.i looked up something about susan, and apparently she is lost to narnia bc she discovered lipstick(?)
Narnian: Aslan! Susan discovered lipstick!
Aslan: She is lost now
this may not be funny for certain people
I don't think I've seen those illustrations. I'll have to look into them!On a side note, I have always loved the illustrations in the original books.
Said J.R.R. Tolkien of illustrator Pauline Baynes' work:
"They are more than illustrations", he wrote to Allen & Unwin on 16 March 1949, "they are a collateral theme. I showed them to my friends whose polite comment was that they reduced my text to a commentary on the drawings."
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