Ended Official BYC 2024 Summer Fair—Handcrafts Show

This fused-glass, jellyfish mobile was created for my daughter-in-law using a bubble-producing medium, sandwiched between 2 layers of glass. The piece required 2 firings, multiple drillings and a bit of engineering to complete. Crystals and glass beads were added as embellishments and to effect prism-reflections when caught by sunlight.
Screenshot_20240822-224058_Gallery.jpg
 
Amazing finished product! May I ask if glass is typically only fired once? What do the additional firings do?
Fused glass pieces are rarely fired only once.

In the case of this frit-stretched bowl, higher-than usual, initial temperatures were employed, as many stacks of glass, and a glass dam were necessary for the technique used. The thickness of the piece required a very slow firing schedule, to avoid shock and breakage. Then the piece was taken to the saw and grinder to cold-work, or shape the edge. Because the edge became rough from the cold-working, and because it was so thick from having been dammed, it was returned to the kiln for second, full-fuse firing. Glass, in its liquid state, wants to "pull" or "spread" to a thickness of 6mm. The dam used in the initial firing prevented that. Then it went back to the kiln a third time, over a bisque mold, to achieve it's shape in a medium-temperature "slump" firing.

Did that make sense?
 
Not an entry - just wanted to share this piece (small bowl) made with a rainbow, iridescent base, translucent, yellow cap and bubble-producing medium, sandwiched between. Etching a swirl into the medium allowed for a variance of bubble sizes within the pattern. But if you enlarge the photo - you see thousands of tiny bubbles, throughout the glass.
I love glass bubbles ♡
Screenshot_20240822-224217_Gallery.jpg
 
Fused glass pieces are rarely fired only once.

In the case of this frit-stretched bowl, higher-than usual, initial temperatures were employed, as many stacks of glass, and a glass dam were necessary for the technique used. The thickness of the piece required a very slow firing schedule, to avoid shock and breakage. Then the piece was taken to the saw and grinder to cold-work, or shape the edge. Because the edge became rough from the cold-working, and because it was so thick from having been dammed, it was returned to the kiln for second, full-fuse firing. Glass, in its liquid state, wants to "pull" or "spread" to a thickness of 6mm. The dam used in the initial firing prevented that. Then it went back to the kiln a third time, over a bisque mold, to achieve it's shape in a medium-temperature "slump" firing.

Did that make sense?
Perfect good sense - quite the process and it sounds like it must be very patient craftsmanship. Thank you for taking the time to explain so thoroughly!
*Edit to add how lovely the glass pieces are!
 
Perfect good sense - quite the process and it sounds like it must be very patient craftsmanship. Thank you for taking the time to explain so thoroughly!
*Edit to add how lovely the glass pieces are!
Thank you! ♡ The thing I love most about glass fusing is that there is always, always something new to learn! But, dang! It's an expensive hobby!
 
A beautiful crocheted bouquet of carnation and snowdrop flowers!

These were made with acrylic worsted weight size 4 yarn and a 5mm hook.
They have yarn wrapped wire stems and jewelry wire in the leaves to make them more realistic.

This was my first ever attempt at crochet flowers and they were a gift for my baby cousin that was born in January💗
DSC_5831.jpg
DSC_5833.jpg
DSC_5834.jpg
DSC_5910.jpg
DSC_5834.jpg
DSC_5910.jpg
Beautiful! The contest allows for five pictures. Which five do you want judged?
123456
DSC_5831.jpg
DSC_5833.jpg
DSC_5834.jpg
DSC_5910.jpg
DSC_5834.jpg
DSC_5910.jpg
 

New posts New threads Active threads

Back
Top Bottom