We're back to being Redbox groupies and catching up for our quarantine lack of viewing.
Last night we watched "The Rhythm Section" which was touted as a spy thriller. Well, yes and no. It's more like a very dark Cinderella tale where a destitute woman -- said downward spiral caused by her entire family dying in plane crash she missed being on -- is rehabilitated into a bent-on-revenge assassin when she learns the plane crash isn't an accident.
Blake Lively plays the enraged heroin-y heroine and during certain scenes her vivaciousness is absent and she's near unrecognizable. She missteps often. Jude Law is her trainer/mentor and roughs her up quite a bit to get her to conform into what she need to be. Her assignments take her to Madrid, New York and abroad as she attempts take downs and finds her deadly groove.
The ending is a little confusing as characters keep switching places of their roles on the ladder of hierarchy, so don't step out of the room without pausing the video because you might miss a clue as to just who, what, when, why.
I give this a 3.5 out of 5. Not an uplifting film and rather dark. It crescendos at melancholy resignation.
Last night we watched "The Rhythm Section" which was touted as a spy thriller. Well, yes and no. It's more like a very dark Cinderella tale where a destitute woman -- said downward spiral caused by her entire family dying in plane crash she missed being on -- is rehabilitated into a bent-on-revenge assassin when she learns the plane crash isn't an accident.
Blake Lively plays the enraged heroin-y heroine and during certain scenes her vivaciousness is absent and she's near unrecognizable. She missteps often. Jude Law is her trainer/mentor and roughs her up quite a bit to get her to conform into what she need to be. Her assignments take her to Madrid, New York and abroad as she attempts take downs and finds her deadly groove.
The ending is a little confusing as characters keep switching places of their roles on the ladder of hierarchy, so don't step out of the room without pausing the video because you might miss a clue as to just who, what, when, why.
I give this a 3.5 out of 5. Not an uplifting film and rather dark. It crescendos at melancholy resignation.

