MJ's Challenge ~ The Voyage Out

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The BBC did Love in a Cold Climate years ago & I became a fan of Nancy Mitford. Her description of *the child hunt* is still one of the funniest things I've ever read. English eccentricity @ it's best.

Edith Sitwell was one of the most controversial, innovative & very good writers of this period. I can't believe she is no longer studied. Then there was Vita Sackvill~West, who I think was a lover @ some point. She made a lovely garden @ Sissinghurst but it's been a long time since I read her biography so I may have that wrong. All these writers knew & influenced each other though they didn't necessarily like each other.
The Mitford sisters grew up in a place called Asthall Manor (built 1620) which, completely randomly, opened its gardens to the public for a sculpture exhibition when I happened to be driving by with some friends on a mini-break around a business meeting outside London. I too am a huge fan of Nancy Mitford's and have re-read Love in a Cold Climate multiple times. So naturally we had to divert our journey to inspect. It is totally delightful with magical gardens that have inspired me ever since.
 
I admit to cheating & read chapter 1 last night because I have the children today & will be exhausted tonight.

What struck me most is Woolfe's obsession with light. I noticed it in The Lighthouse also ~ & I didn't get very far with that. Wondering if it is something to do with different sorts of enlightenment?

A sense of place is important to me. Not sure yet how I feel about Woolfe's dealings with that.
I've been thinking about this all afternoon! I would have never struck on an obsession with light! I did however take note of where they were walking and what was along their path! Mostly as I was reading, I was immediately caught up in the people...not just the main characters, but the clerks and other working class going about their business and what I assume was their irritation of Ridley and Helen getting in the way and slowing down that business. Then watching the relationship between Ridley and Helen start to unfold and getting a sense of anguish from both of them, even though exhibited in different ways. Then seeing how Helen assessed the people around her as being somewhat trivial, but not willing to think that she is a completely hard woman as you see her brightening up at the mention of her children!

I will definitely be reading this chapter again...intrigued about your speculation of what meaning might be behind, as you put it her obsession with light!
 
Probably the most telling sentence from chapter 1.

Each of the ladies, being after the fashion of their sex, highly trained in promoting men’s talk without listening to it, could think⁠—about the education of children, about the use of fog sirens in an opera⁠—without betraying herself.
Can I check something? Chapter 1, para 2, "... the reach of malice and unpopularity. In his guess one might guess from the moving lips... "

Is the highlighted guess a typo in the edition I'm reading?
In his case one might guess from the moving lips that it was thought; and in hers from the eyes fixed stonily straight in front of her at a level above the eyes of most that it was sorrow.
 
I've been thinking about this all afternoon! I would have never struck on an obsession with light! I did however take note of where they were walking and what was along their path! Mostly as I was reading, I was immediately caught up in the people...not just the main characters, but the clerks and other working class going about their business and what I assume was their irritation of Ridley and Helen getting in the way and slowing down that business. Then watching the relationship between Ridley and Helen start to unfold and getting a sense of anguish from both of them, even though exhibited in different ways. Then seeing how Helen assessed the people around her as being somewhat trivial, but not willing to think that she is a completely hard woman as you see her brightening up at the mention of her children!

I will definitely be reading this chapter again...intrigued about your speculation of what meaning might be behind, as you put it her obsession with light!
I went back & did a quick count. She uses the word light 14 times in this 1st chapter ~ most in one paragraph. Then there are all the other allusions to lamps, & types of light so I'm not imagining things.
 
Probably the most telling sentence from chapter 1.

Each of the ladies, being after the fashion of their sex, highly trained in promoting men’s talk without listening to it, could think⁠—about the education of children, about the use of fog sirens in an opera⁠—without betraying herself.

In his case one might guess from the moving lips that it was thought; and in hers from the eyes fixed stonily straight in front of her at a level above the eyes of most that it was sorrow.
Rats. I hope there aren't too many errors in it.
 

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