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I'm not sure but I think Rachel might be the key to that...I wonder what she's signifying?

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I'm not sure but I think Rachel might be the key to that...I wonder what she's signifying?
I was wondering that too.I have an uneasy feeling we should be reading this alongside Melymbrosia ~ the reconstruction of the original work with all the political etc bits put back in.
Sorry if we've jumped the gun on you. I had kiddiewinks today so I knew I wasn't up for anything else strenuous & read last night.Me too.
We will terrify others if we do that I think.I was wondering that too.
It's not jarring on me as much as I thought it might. I am waiting to see how other things pan out with this style. I suspect it will suit them very well.I'm really enjoying her turn of phrase.
Mine has the same passage.Can I check something? Chapter 1, para 2, "... the reach of malice and unpopularity. In his guess one might guess from the moving lips... "
Is the highlighted guess a typo in the edition I'm reading?
Ah, this makes a lot more sense.Probably the most telling sentence from chapter 1.
Each of the ladies, being after the fashion of their sex, highly trained in promoting men’s talk without listening to it, could think—about the education of children, about the use of fog sirens in an opera—without betraying herself.
In his case one might guess from the moving lips that it was thought; and in hers from the eyes fixed stonily straight in front of her at a level above the eyes of most that it was sorrow.
From all this Helen drew her own conclusions, which were gloomy enough. Pepper was a bore; Rachel was an unlicked girl, no doubt prolific of confidences, the very first of which would be: “You see, I don’t get on with my father.”